Handmade in India Mapin Publishing

Handmade in India

Crafts of India
Aditi Ranjan and M P Ranjan

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“As an encyclopaedia of Indian crafts, Handmade in India is pioneering and comprehensive. Nothing of this kind has ever been published before.” —Jyotindra Jain in Biblio: A Review of Books

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The Indian way of life is replete with products made with the help of simple, indigenous tools by craftspeople who belong within a strong fabric of tradition, aesthetic and artistry. The range of Indian handicrafts is as diverse as the country’s cultural diversity.

A source book of handicrafts, Handmade in India is a unique compendium of Indian crafts. It is a resource of the craft repertoire that reflects the diversity of the country, its cultural milieu and the relationships that nurture creativity and ingenuity. This encyclopaedic publication maps the crafts of the country, and captures the traditions that have enriched the day-to-day lives of Indian people while being a source of livelihood for generations of craftspeople. Handmade in India probes into all aspects of handicrafts—historical, social and cultural influences on crafts, design and craft processes, traditional and new markets, products and tools—unravelling a wealth of knowledge.

Handmade in India is based on extensive field work and research, and maps out the regional craft clusters identified across the country on the basis of prevailing craft-work patterns. It is closely woven with images to reveal the array of crafts in India. Some of these are renowned, like the pinjrakari and khatumband wood work of Kashmir, blue pottery of Jaipur, chikankari embroidery of Lucknow, the kannadi or metal mirrors from Aranmula, chappals or footwear from Kolhapur, and the bamboo craft of Assam. Other, lesser known, crafts like the paabu or stitched boots from Ladakh, jadupatua paintings from Jharkhand, the making of Kathakali and Theyyam headgear, khadi or tinsel printing in Ahmedabad have also been described in striking detail. The close study of various crafts makes it possible to discern subtle, sometimes unusual, differences in the same craft practiced by distinct regions or communities—like tie-resist-dyeing which is called bandhani in Gujarat and Madhya Pradesh, and bandhej in Rajasthan.

The first of its kind ever attempted, this publication with stunning photographs will be a tremendous resource for product and textile designers, artists, architects, interior designers, collectors, development professionals and connoisseurs alike. It will be of immense value for facilitating worldwide participation in the planning and development of the handicraft sector in India. It will also be a useful reference for libraries interested in Indian crafts and culture, and organizations and agencies that work for and with the crafts sector in India.

ADITI RANJAN is a weaver, textile designer and design teacher. She has conducted research on the textile traditions of India and designed collections for the handloom sector in the country. Her educational innovations include the use of culture as a design resource. Born
in 1952, she has been involved with textile design education at the National Institute of Design since 1972.

M P RANJAN is an industrial designer and design teacher at the National Institute of Design. His interests include design theory, basic design and the systems level function of design in managing economic change. His ongoing work in bamboo has helped open up an entire sector for bamboo industry in India. Born in 1950, he has been with NID since 1976 and has published extensively on design education, craft and information technology.

ISBN 9788188204571
Pages 580
Number of photographs 3500
Size 9.5 x 13.5” (240 x 340 mm)
Date of Publishing 7/10/2024
Language(s) English
Co-publisher(s) Mapin Publishing
Rights Available World Rights

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